
Public domain. Source: Parma Baptistery
Nigredo VII :Until the Water Be Made Black
Flute, violin, cello, and piano · 2026
Yan Liang is a composer whose work explores ritual, mysticism, alchemical symbolism, and the thresholds where sound behaves as trace, omen, residue, or invocation.
Toward things only approachable by negation and paradox.

Flute, violin, cello, and piano · 2026
And

Violin, cello, and piano · 2026
Yan Liang is a Montréal-based composer working across instrumental, electroacoustic, and transdisciplinary practices, while concentrating on chamber music.
Her work engages ritual, mysticism, alchemical symbolism, and perceptual liminality, among which her ongoing Nigredo cycle explores the blackening stage of alchemy through subtle and restrained processes of transformation.



Oil Painting © Yan Liang
Liang works with her mentor Philippe Leroux at McGill. Her music has been presented across North America and Europe at festivals including Time of Music, Sounds of Now Vienna, highSCORE, .abeceda, Tuckamore, and Le Vivier, by artists like Quasars Ensemble, Quatuor Mémoire, Trio Kanon, 5ilience, and Off-Topic, with forthcoming projects with individual artists, the Ensemble Cairn, and impuls Academy.
In 2026, her work was selected for Petites Formes — TPMC / IRCAM, and Nigredo V: Black Sun Escape was a finalist in the 4th MusicON International Composition Competition.
The art of effective dreaming
for metaphysical minds.
Don't be afraid to claim mysticism.